Carlo Ignazio Monza - Harpsichord Music


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Suite E-Dur
Suite c-moll
Suite D-Dur
Suite C-Dur
Prelude & Fugue f-moll
Prelude c-moll
Bartolomeo Monari - Prelude & Fugue
Bernardo Pasquini - Toccata con lo Scherzo del Cucco



Terence Charlston, harpsichord



Carlo Ignazio Monza (born circa 1680 or 1696 - 9 May 1739) was an Italian composer. He was born in Milan and died in Vercelli.

Infos in Italian




Suite D-Dur - Prelude



J.M.Molter - Orchestral & Chamber Music


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Ouverture MWV III/9
2 oboes, bassoon, 2 violins, viola & continuo
Sonata MWV XI/13
transverse flute & continuo
Concerto MWV VI/21
oboe concertato, 2 violins, viola & continuo
Sonata op. 1,6 MWV XI/6
violin & continuo
Ouverture MWV III-13
2 horns, 2 oboes, bassoon, 2 violins, viola & continuo


Nova Stravaganza
dir. Siegbert Rampe


Danze e musiche del Rinascimento Italiano (Vinyl rip)

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Contents:

Giorgio Mainerio: Suite dal "Primo libro de balli":
1. Pass'e mezzo della paganina
2. Putta nera ballo furlano
3. Tedesca 1
4. Tedesca 2
5. La lavandara gagliarda
6. Ungaresca
(ob. bsn. perc.)
7. Giovanni Gabrieli: Canzon a 7
8. Giovanni Gabrieli: Canzon a 5
9. Giovanni Gabrieli: Canzon a 6
(rec. vle. lut. spi)
10. Giovanni Gastoldi: Capriccio a due voci
11. Vincenzo Galilei: Capriccio a due voci
12. Giovanni Gastoldi: Capriccio a due voci
(vle)
13. Alessandro Orologio: Intrada a 5
14. Alessandro Orologio: Intrada a 5
(ob. bsn. perc.)
15. Francesco Bendusi: Cortesa padana e frusta
16. Anonimo: Le forze d'Ercole e tripla
(cru. perc.)
17. Vincenzo Ruffo: Capriccio ''Dormendo un giorno'' (Verdelot)
(bsn)
18. Vincenzo Ruffo: Capriccio ''La gamba in basso e soprano''
(vle. bsn.)
19. Vincenzo Galilei: Contrappunto per due liuti
20. Johannes Matelart (da Francesco Canova da Milano): Fantasia per due liuti
(lut.)
21. Giovanni Bassano (da Luca Marenzio): Tirsi morir volea
(rec. lut.)
22. Sperindio Bartoldo: Petit fleur
23. Sperindio Bartoldo: Canzone francese
(spi)

Ensemble Ricercare di Zurigo - dir.Michel Piguet
Michel Piguet, Richard Erig, Renate Hildebrand, Käte Wagner, Nils Ferber
(recorder, oboe, bassoon, crumhorn)
Anne van Royen, Anthony Bailes (lutes)
Jordi Savall, Adelheid Glatt (viole de gambe)
Martha Gmunder (spinet)
Dieter Dyk (percussions)


M.A.Charpentier - Musique de Theatre


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Sonate à Huit H.548
Musique de Theatre pour Andromède H.504
Concert pour quatre parties de violes H.545
Musique de Theatre pour Circé H.496



London Baroque
dir. Charles Medlam


Roots of the Balkan


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The twelve members of Ensemble Renaissance perform these pieces with true authority and, to this listener, they are authentic to the last. The group utilises upfront fiddles and bagpipes in addition to more local/regional instruments (saz, kaval etc.). The dance tunes, with their unusual and shifting time signatures, are everything you might imagine had sparked the imagination and creative impulse of Bartók on his field excursions to research the folk music of this and adjacent areas. (continue HERE:)

contents:


Easter Serbia
01 - Igra i pesma 'Sitan biber' (Wedding dance & song)
02 - Nocna putnicka melodija (Night travel melody)
03 - Putnicka pesma 'Visoko drvo, lad nema' (Travel melody)
04 - Tri igre- Ostroljanka, Polomka, Cigancica (3 Dances)
Kossovo & Metochia
05 - 'Marijo, deli, bela kumrijo (Ah! Mary my Sweet Dove)
06 - 'Crna zemljo, sestro' (Black Earth my Sister)
07 - 'Oh, jabuko, zeleniko' (Hey You! Green Apple-Tree)
08 - 'Izvor voda izvirase' (Spring Water)
09 - 'Soko bira, gde ce naci mira'
10 - 'Oj, mori vrbo, zelena (Hey You! Green Willow)
11 - 'Svunoc mi sanak ne dodje'
12 - 'Kisa pada, trava raste' (Come the Rain, Grow the Grass)
13 - 'Gusta mi magla pandala' (The Dense Fog Came Down)
Central Serbia
14 - Cetiri igre- Stara setnja, Zavrzlama, Siljcici - Poljanka
15 - Tri igre- Cigancica, Stara cranjanka, Zavrzlama (3 Dances)
16 - Dve igre- Gajdica, Sareno oro (2 Dances)
17 - Sedam igara iz Levca (7 dances from Levach)
South Serbia
18 - Pesma 'Sadila moma lojze' (The Maidin Puts the Grepevine in)
19 - Kasapsko kolo (Buthcher's Wheel Dance)
20 - Skomraska igra (Jugglers' Play)
21 - Devojacko kolo (Maidens Wheel Dance)

Ensemble Renaissance

W.A.Mozart meets Mr.Hogwood


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Inserisci link
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Aer tranquillo e dì sereni (Il re pastore, K208)
L'amerò, sarò costante (Il re pastore, K208)
Voi avete un cor fedele (K217)
Ah, lo previdi (K272)
Ruhe sanft, mein holdes Leben (Zaide, K344)
Trostlos schluchzet Philomele (Zaide, K344
Nehmt meinen Dank, ihr holden Goenner! (K383)
Ch'io mi scordi di te (K505)




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J.D.Heinichen - Galant Court Music


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contents:


Concerto a 7, G-Dur Seibel 214
Concerto g-moll, Seibel 237
Overture G-Dur, Seibel 206
Concerto A-Dur, Seibel 228
Concerto D-Dur, Seibel 224
Concerto G-Dur, Seibel 205



Il Fondamento
dir. Paul Dombrecht


At The Sign of the Crumhorn


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1. Hellinc - Come out all
2. Baston - Needles, needles
3. Susato - Den 3 Ronde + Den 4 Ronde + Les quatre Branles
4. anon - In sorrow must I die
5. anon - I carry in my heart
6. Souliaert - Be sure to drink in moderation
7. Appenzeller - A Venus creature
8. anon - How sorrowful is my heart
9. Hellinc - New Almanack
10. Susato - In the middle of May
11. Baston - A Guild has its wench
12. anon - My heart has secretly departed
13. Susato - My beloved's brown eyes
14. anon - Ye noble young spirits
15. Susato - Ronde 4-1-6
16. Susato - Fool's entr'acte
17. Clemens non Papa - Beautiful Venus
18. Susato - Hoboken Dance
19. Souliaert - I went out last night
20. Susato - Allemande 4-3-6
21. Susato - Gaillarde 1-2-3
22. Verbonnet - You are the most precious
23. Souliaert - Pain and sorrow + I mourn
24. Susato - O time so heartily full of melodies
25. anon - Now take note
26. anon - Here we come
27. anon - A girl came walking by I
28. anon - A girl came walking by II
29. Susato - Ronde 3-4



Convivium Musicum Gothenburgense




Thielman Susato - Allemandes

Antonio Vivaldi - Oboe Sonatas

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Sonata for oboe & continuo in C minor, RV 53
Trio Sonata for 2 oboes, bassoon, continuo & archlute in G minor (Lund), RV 81
Sonata for oboe, cello, organ & guitar in A major (Il pastor fido), RV 59
Sonata for oboe, violin, organ & chalumeau in C major (Salmoe), RV 779
Sonata for oboe, cello, continuo & archlute in G minor (Il pastor fido), RV 58

Paul Goodwin,
oboe
Gail Hennessy,
oboe
John Holloway,
violin
Colin Lawson,
chalumeau
Nigel North,
archlute & guitar
Susan Sheppard,
violoncello
Frances Eustace,
bassoon
John Toll,
harpsichord & organ

M.A.Charpentier - Tristes Déserts


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Tristes deserts
Chaconne, H467
Non, je ne l'aime plus
Amour, vous avez beau redouble
Rendez-moi mes plaisirs
Oiseaux de ces bocages
Quoil je ne verrai plus...
Epitaphium carpentarii
Les stances du Cid
Celle qui fait tout
Aupres du feu
Veux-tu, compère Grégoire
Beaux petits yeux
Ruisseau qui nourrit
Orphée descendant aux enfers



Gérard Lesne, countertenor
Cyril Auvity, tenor
Edwin Crossley-Mercer, bass



Il Seminario Musicale
dir. Gérard Lesne


Mare Nostrum, un projet pour la paix


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A pre-eminent musician of our time, Jordi Savall adds another gem to his already extensive catalogue with Mare Nostrum (Latin for ‘Our Sea’). Savall looks to the Mediterranean Sea as a centre for ancient culture, the sea that brings us together, a dialogue of souls, performing music from Morocco, Israel, Spain and Lebanon with the usual line-up of musicians including Montserrat Figueras and Lior Elmaleh.


contents:


CD 1

1. La Guirnalda de rosas (M. Figueras, L. Elmaleh). Romance Sépharade (Espagne XVe s./Rhodes)
2. Saltarello [Mss. CSM 77-119]. Alfonso X El Sabio (Espagne)
3. Kamti Beivshan Layla (L. Elmaleh). Chant Hébreu (Israël)
4. Gagauski (kaval, morisca & percussion). Danse turque (Balkans)
5. Berceuse Amazig (M. Figueras, D. El Maloumi). Tradition Berbère (Maroc)
6. A la una yo nací (inste.). Sépharade (Sarajevo)
7. Üsküdar (G. Dinçer). Chant traditionnel (Turquie)
8. Las Estrellas de los cielos (improvisation instr.). Sépharade (Alexandrie)
9. LaMoledet shuvi roni (L. Elmaleh). Asher Mizrahi (Jérusalem)
10. Taksim & Makam Kurdi Pesrev (instr.). Angeli (Grèce ca.1680)
11. Alef, mem shin (M. Figueras). Sépharade (Turquie)
12. Taksim - Pesendîde « Saz Semârsi » (instr.). Selim III. Istanbul (1800)
13. Noumi noumi yaldati (M. Figueras, L. Elmaleh). Berceuse Hébraïque (Israël)
14. La Armada Turca (instr.). Mélodie Sépharade (Istanbul)


CD 2

1. En la Santa Helena (instr.). Sépharade (Sophie)
2. Shaar petach Dodi (L. Elmaleh). Chant Hébreu (Israël)
3. Taksim Kanun (improvisation). Hakan Güngör (Istanbul)
4. Nana andaluza : Duerme mi niña (M. Figueras). Traditionnel (Espagne)
5. El Rey que tanto madruga (instr.). Sépharade (Maroc)
6. Ana Av Rajman (L. Elmaleh). Chant Hébreu (Maroc)
7. Chominciamento di gioia (Istanpitta) (P. Hamon, P. Estevan). Mss. Trecento (Italie ca.1300)
8. Berceuse Κοιμησου Χαiδεμενο Μου (M. Figueras). Chant traditionnel (Grèce)
9. El cant dels Aucells (instr.). Chant traditionnel (Catalogne)
10. Hon Tahon (L. Elmaleh). Chant Hébreu (Israël)
11. Taksim & Makam «Rast Murass’a» Mss. D. Cantemir n.214 (Istanbul, 1690)
12. Adonenu Elohenu (M. Figueras). Sépharade (Tunisie)
13. Taksim & danse Bulgare. Traditionnel (Bulgarie)
14. Mireu el nostre mar (F. Savall) improvisation, M. Forcano (texte) F.Savall (mus.)


Montserrat Figueras, Lior Elmaleh

HESPÈRION XXI
Y.Dalal, G.Dinçer, D.El Maloumi, P.Estevan, H.Güngör, P.Hamon, P.Memelsdorff, A.Lawrence-King, G.Mouradian, N.Nedyalkov, D.Psonis, H.Sarikouyoumdjian, F.Savall, M.S.Tokaç, Y.Tokcan, D.Türkan, F.Yarkın

JORDI SAVALL

Musica en Tiempos de Velazquez


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contents:


1 SANZ / MARTÍN Y COLL Folías
2 HIDALGO Peynándose estaba un olmo
3 HIDALGO ¡Tonante dios!
4 MARTÍN Y COLL Canarios
5 MARÍN Ojos, pues me desdeñáis
6 SELMA Susana passeggiata
7 HIDALGO De las luces que en el mar
8 HIDALGO Cuydado, pastor
9 SANZ Canarios
10 HIDALGO Ay que sí, ay que no
11 RUIZ DE RIBAYAZ Españoletas
12 MARÍN Aquella sierra nevada
13 SELMA Fantasía
14 MARÍN No piense Menguilla
15 GUERAU Marionas
16 DURÓN Sosieguen, descansen
17 HIDALGO Ay, que me río de Amor
18 SANZ Lantururú

Ensemble La Romanesca

Marta Almajano, soprano
José Miguel Moreno, vihuela
Paolo Pandolfo, viola de gamba
Juan Carlos de Mulder, tiroba
Nuria Llopis, arpa
Toni Millán, clave

dir. José Miguel Moreno

A Guide to Period Instruments


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This Guide to Period Instruments endeavours to answer the questions that every lover of early music has about the instruments used in these periods of music history. Text and recorded excerpts describe the origin and the development of every musical instrument from the Middle Ages to the end of the 18th century and place them in their historical context. There is a completely new presentation booklet, over 200 pages long (83Mb) and abundantly illustrated, as well as eight CDs of recorded examples of the instruments that shed new light upon major periods of music history. These excerpts have been drawn from the Ricercar catalogue for the most part and are completed by new recordings made for the purpose as well as by material made available to us by other specialist recording labels. This Guide to Period Instruments is a perfect synthesis of the music lover’s thirst for knowledge with the sheer pleasure of hearing these historical instruments.

Performers:

Ensemble Millenarium, Continens Paradisi, Capilla Flamenca, La Caccia, Les Basses Réunies, Le Poème Harmonique, Les Agréments, La Gioa Armonica, The London Classical Players, La Fenice, Doulce Mémoire, Ricercar Consort, Bernard Foccroulle, Rolf Lislevand, Philippe Pierlot, Gustav Leonhardt, Christina Pluhar, Jérémie Papasergio, Jean-Marc Aymes, Marcel Ponseele, Guy Van Waas, Paul Goodwin, Roger Norrington...

Antonio Vivaldi - Concerti

"Adí 6 Maggio 1678 Antonio Lucio figliolo del signor Giu. Battista quondam Agustin, Vivaldi sonador et della signora Camilla figliola del quondam Camillo Calicchio sua consorte, nato il 4 marzo ultimo caduto, qual hebbe l'acqua in casa per pericolo di morte dalla comare allevatrice Madonna Margarita Veronese, hoggi fu portato alla Chiesa, ricevé gli essorcismi et ogli santissimi da me Giacomo Pacacieri Piovano, a quali lo tene il signor Antonio qd. Gerolamo Vecchio specier all'Insegna del Dose in contrà".





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Concerto per oboe in Fa maggiore RV 455
Concerto per fagotto in la minore RV 498
Concerto per oboe in Re maggiore RV 453
Concerto per oboe e fagotto in Sol maggiore RV 545
Concerto per fagotto in Do maggiore RV 477
Concerto per oboe in la minore RV 463
Concerto per fagotto in Fa maggiore RV 488



Alfredo Bernardini, oboe
Josep Borras, fagotto

L'Armonia e l'Inventione
dir. Alfredo Bernardini


J.S.Bach - Violoncello Piccolo


14 tracks - MP3 192 Kbps - RAR 86Mb


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contents:


Partita E-dur BWV 1006
Sonata g-moll BWV 1013
Sonata a-moll BWV 1003



arranged by
Anner Bylsma
for
Violoncello piccolo



Dictionary of Medieval & Renaissance Instruments


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See Medieval.org for contents


Sorry, I know it's important but there's no booklet in the RAR.

Cantus has performed an invaluable service for fans of early music by assembling a CD that demystifies the assortment of archaic instruments found in historically correct performances of Medieval and Renaissance repertoire. For anyone who has puzzled over the difference between a shawm and a bombard, a vielle and a vihuela, as well as anyone just curious about the wealth of wonderful but unfamiliar sounds in early music, this CD is a treasure. The collection groups the instruments by families (bowed strings, plucked strings, keyboards, winds, etc.), and offers tracks not only of each instrument playing by itself, but with other instruments and with voices in the most common period groupings. The performances, mostly taken from recordings in the Cantus catalog, but some made especially for this project, are clean and direct -- nothing fancy, but just right for doing the job of familiarizing the listener with the sounds of the instruments.