Felix Mendelssohn - A Midsummer's Night Dream

11 tracks - MP3 192Kbps - RAR 90Mb


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Tracklist:

1 - Ouvertûre.Allegro di molto
2 - Scherzo.Allegro vivace
3 - Elfennmarsch/Marche des Elfes.Allegro vivace
4 - Lied mit chor "Bunte schlangen, zweigezüngt".Allegro ma non troppo
5 - Intermezzo.Allegro appasionato
6 - Notturno. Con moto tranquillo
7 - Hochzeitsmarsch/Marche nuptiale.Allegro vivace
8 - Fanfare.Allegro comodo
9 - Marcia funebre.Andante comodo
10 - Ein tanz von rüppeln/Danse bergamasque.Allegro di molto
11 - Finale "Bei des feuers mattem flimmern".Allegro di molto
12 - Ouvertüre "Die hebriden oder die fingalshöhle" Op.26 - Allegro moderato - Animato


Soprano, Sandrine PiauCollegium VocaleOrchestre des Champs-Elyseesdir. Philippe Herreweghe

Franz Joseph Haydn - deLirium

15 tracks - MP3 192 Kbps - RAR 126 Mb


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The disc is characterized by splendid performances by the Ensemble Baroque de Limoges and Quatuor Mosaiques under the direction of Christophe Coin. Laborie's Joseph Haydn: deLerium is delightful in every way, and should easily satisfy anyone who has ever wondered about the Lire Organizzate.
Franz Josef Haydn produced about a half dozen works for the Lire Organizzate, an eighteenth century hybrid of the hurdy-gurdy and organetto that by the twentieth century was nothing more than a museum instrument, with only about 20 examples extant and none playable. These works are commonly performed on recordings with a standard pipe organ in place of the Lire; however, Laborie's excellent release Joseph Haydn: deLerium stands apart in that the works are heard, for the first time in probably 200 years, on a pair of Lire Organizzate. Matthias Loibner and Thierry Nouat play reconstructed instruments built by hurdy-gurdy specialist Wolfgang Weichselbaumer that have a sweet and slightly tart tone reminiscent of an exotic brand of Viennese candy. While the Lire is obviously the star of the show, Laborie likewise includes a couple of Haydn's pieces for the Baryton, another obscure instrument favored by his patron, Prince Nikolaus Esterházy, for whom Haydn found himself obligated to create more than 100 works for this rather limited, dull-toned instrument. Even in these pieces, Haydn's patented "surprises" are part of the mix; when the natural horns creep into the final movement of the "Divertimento in A for Baryton" one really notices the difference.





Contents:

1. Concerto No. 1 for 2 lire organizzate in C major, H. 7h/1 
2. Divertimento a 8, for baryton, 2 violins, viola, cello, bass & 2 horns in A minor/A major, H. 10/3 
3. Notturno for 2 lire organizzate, 2 clarinets, 2 horns, 2 violas & bass in G major, H. 2/27 
4. Divertimento a 8, for baryton, 2 violins, viola, cello, bass & 2 horns in G major, H. 10/12 
5. Notturno for 2 lire organizzate, 2 clarinets, 2 horns, 2 violas & bass in C major, H. 2/32


Ensemble Baroque de Limoges 
Quatuour Mosaiques 
Cristopher Coin


baryton

G.P.Telemann - La Bizarre (Suites)

Inserisci link26 tracks - MP3 192 Kbps - RAR 102Mb


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Tracklist:

1. Suite En Ré Majeur, Twv55 D:18 : Ouverture
2. Suite En Ré Majeur, Twv55 D:18 : Menuet I, Menuet Il
3. Suite En Ré Majeur, Twv55 D:18 : Gavotte En Rondeau
4. Suite En Ré Majeur, Twv55 D:18 : Passacaille
5. Suite En Ré Majeur, Twv55 D:18 : Air
6. Suite En Ré Majeur, Twv55 D:18 : Les Postillons
7. Suite En Ré Majeur, Twv55 D:18 : Fanfare
8. Ouverture "Les Nations", Twv55 B:5 : Ouverture
9. Ouverture "Les Nations", Twv55 B:5 : Menuet I, Menuet Il
10. Ouverture "Les Nations", Twv55 B:5 : Les Turcs
11. Ouverture "Les Nations", Twv55 B:5 : Les Suisses
12. Ouverture "Les Nations", Twv55 B:5 : Les Moscovites
13. Ouverture "Les Nations", Twv55 B:5 : Les Portugais
14. Ouverture "Les Nations", Twv55 B:5 : Les Boiteux
15. Ouverture "Les Nations", Twv55 B:5 : Les Coureurs
16. Concerto Pour Violon "Les Rainettes", Twv51 A:2 : !!!
17. Concerto Pour Violon "Les Rainettes", Twv51 A:2 : Adagio
18. Concerto Pour Violon "Les Rainettes", Twv51 A:2 : Menuet Alternativement
19. Ouverture "La Bizarre", Twv55 G:2 : Ouverture
20. Ouverture "La Bizarre", Twv55 G:2 : Courante
21. Ouverture "La Bizarre", Twv55 G:2 : Gavotte En Rondeau
22. Ouverture "La Bizarre", Twv55 G:2 : Branle
23. Ouverture "La Bizarre", Twv55 G:2 : Sarabande
24. Ouverture "La Bizarre", Twv55 G:2 : Fantaisie
25. Ouverture "La Bizarre", Twv55 G:2 : Menuet I, Menuet Il
26. Ouverture "La Bizarre", Twv55 G:2 :Rossignol


Akademie fur Ancient Music Berlin

G.S.Carbonelli - Sonates pour violon et b.c.

19 tracks - MP3 192 Kbps - RAR 108 Mb


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In 1719, young Giovanni Stefano Carbonelli arrived in London from Rome, where he was active, invited by the Duke of Rutland to enter his service. So little is known about Carbonelli's life that we just have to make do with what we can imagine from his music and from the musical context in England at that time. He was probably born during the last decade of the seventeenth century. We know that he studied with Corelli and that like his most famous fellow students, Pietro Castrucci and Francesco Geminiani, he felt deawn to London and settled there. London at that time was astir with the resounding successes of Handel's operas and boasted the very best of European misicians. So it is easy to imagine the pull of such a city for a young and adventurous musician(...). (continues in the booklet)

Content:

01 - Sonate X, sol mineur
02 - Sonate I, Ré Majeur
03 - Sonate XII, si mineur
04 - Prélude - Ayres pour guitare
05 - Sonate VII, la mineur
06 - Sonate VI, La Majeur


Hélène Schmitt, violon 
Gaetano Nasillo, cello 
Andrea Marchiol, harpsichord & organ 
Karl-Ernst Schröder, guitar

W.A.Mozart - Acis und Galatea (from Handel)

21 tracks - MP3 192 Kbps - 2 RAR (84+89Mb)

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This is the reorchestrated, German-language version of Handel's ''Acis and Galatea,'' done in 1788 for Baron von Swieten, a music patron who had fallen in love with Baroque music. In its original form, in English and lightly scored, Handel's delectable work has long been a concert and theater staple. However, Mozart's expertly crafted revision adds a bassoon as well as pairs of flutes, clarinets and horns, which adds to the orchestra's sonority and palette of colors but also subtly changes the character of the music.

Disc: 1
1. Acis Und Galatea: Act I - Overtura
2. Acis Und Galatea: Act I - 1. O begluckter Schaferstand! (Galatea)
3. Acis Und Galatea: Act I - Du grunes Feld, bebuschter Hugel - Still, du kleiner Wipfelchor (Galatea)
4. Acis Und Galatea: Act I - 3. Wo such ich sie, die holde Nymph? (Acis)
5. Acis Und Galatea: Act I - 4. Blieb, Schafer, bleib! - Schafer, was suchst du so angstlich (Damon)
6. Acis Und Galatea: Act I - 5. Ach, Schaferin, wend, Galatea - Lieb in ihr Aug verkrochen (Acis)
7. Acis Und Galatea: Act I - 6. O fuhltest du die Qualen der Entfernung - Wie's Taubchen klagt (Galatea)
8. Acis Und Galatea: Act I - 7. Wohl uns! (Galatea) (Acis)
9. Acis Und Galatea: Act I - 8. Wohl uns!

Disc: 2
1. Acis Und Galatea: Introduction To Act II - Larghetto (Handel: Concerto grosso Op. 6 No. 6, Musette)
2. Acis Und Galatea: Introduction To Act II - Largo (Handel: Concerto grosso Op. 6 No. 7, Einleitung)
3. Acis Und Galatea: Act II - 9. Arme Hirten!
4. Acis Und Galatea: Act II - 10. Ich ras, ich schmelz, ich brenne! - Du roter als die Kirsche (Polyphem)
5. Acis Und Galatea: Act II - 11.Schonste, was eilst du von hinnin - Fleh nicht mehr zur stolzen Schonheit (Polyphem) (Galatea)
6. Acis Und Galatea: Act II - 12. Strebst du nach der zarten Schonen (Damon)
7. Acis Und Galatea: Act II - 13. Das Ungeheu'r weckt meine Wut - Die Liebe ruft (Acis)
8. Acis Und Galatea: Act II - 14. Bedenk doch, o Schafer (Damon)
9. Acis Und Galatea: Act II - 15. Lass, lass ab, Geliebtester - Eh' lasst den Berg die Herde (Galatea) (Acis) (Polyphem)
10. Acis Und Galatea: Act II - 16. Hilf, Galatea! - Trau'rt, all ihr Musen! - So ist mein Acis denn dahin, Lass, Galatea, lass den Schmerz! (Acis) (Galatea)
11. Acis Und Galatea: Act II - 17. Wohlan! So nutz ich meine Gottermacht - Herz, du Sitz verliebten Grams (Galatea)
12. Acis Und Galatea: Act II - 18. Galatea, klag nicht mehr



The English Concert
dir. Trevor Pinnock


Thomas Linley The Younger - Music From The Tempest

A composer who “had he lived, would have been one of the greatest ornaments of the musical world” – W.A. Mozart.

27 tracks - MP3 192 Kbps - RAR 102 Mb


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Contents:
    Music for The Tempest 1777 [23'56]
  1. Arise! ye spirits of the storm [5'56]
    SATB chorus, 2 trumpets, timpani, 2 horns, 2 oboes, 2 bassoons, strings and continuo
  2. O bid your faithful Ariel fly [4'42]
    soprano, oboe, strings and continuo
  3. Come unto these yellow sands [4'00]
    soprano, oboe, strings and continuo
  4. Hark, hark, the watch-dogs bark [0'59]
    SATB chorus, 2 horns, timpani, 2 oboes, 2 bassoons, strings and continuo
  5. While you here do sleeping lie [1'57]
    SATB chorus, 2 horns, timpani, 2 oboes, 2 bassoons. strings and continuo
  6. Ere you can say 'Come' and 'Go' [2'53]
    soprano, 2 flutes, strings and continuo
  7. THOMAS ARNE Where the bee sucks, there lurk I [2'47]
    the chorus arranged by Thomas Linley from a glee by William Jackson (1730-1803)
    soprano, SATB chorus, flute, 2 horns, 2 oboes, 2 bassoons, strings and continuo

    Overture to The Duenna
    1775 [5'33]
    2 horns, 2 oboes, 2 bassoons, strings and continuo
  8. Allegro [2'25]
  9. Adagio [1'22]
  10. Rondeau (Allegro) [1'54]

    In Yonder Grove
    1773 [13'44]
    cantata, soprano, 2 horns, 2 oboes, 2 bassoons, cello solo, strings and continuo
  11. Recitative: In yonder grove [1'40]
  12. Air (Largo andante): If thy too-cruel bow be bent [3'10]
  13. Recitative: Thus sunk in deep distress [0'33]
  14. March [1'03]
  15. Recitative: As when the sun [0'50]
  16. Air: Tune, Philomel [6'23]

    Ye nymphs of Albion's beauty-blooming isle
    [12'03]
    cantata, soprano, horn solo, oboe solo, strings and continuo
  17. Recitative: Ye nymphs of Albion's beauty-blooming isle [1'14]
  18. Air (Largo): Wrapt close from harm [3'58]
  19. Recitative: Thus young Emira [0'44]
  20. Air (Molto allegro): Fly, Damon, to yon secret grove [6'04]

    Daughter of Heav'n, fair art thou! (Darthula)
    [17'00]
    cantata, soprano, 2 horns, strings and continuo
  21. Recitative: Daughter of Heav'n, fair art thou! [1'02]
  22. Air (Andante): But why dost thou retire? [1'31]
  23. Recitative: Thus sung Darthula [1'06]
  24. Air (Maestoso allegro: My arm shall lift the spear [5'48]
  25. Recitative: He clothed his limbs in steel [1'39]
  26. Air (Rondeau): When in thy beauty wilt thou rise [4'48]
  27. Arioso (Adagio): Retire, O Sun [1'01]

Julia Gooding, soprano
Paul Goodwin, oboe
The Parley of Instruments Baroque Orchestra and Choir
Paul Nicholson, harpsichord and conductor


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'An outstanding disc in a trail-blazing series: highly recommended' (BBC Music Magazine)
'The irresistible music will compel you to acquire this recording' (Early Music Review)
'All parties sound as if they love every moment of this absorbing and enjoyable programme' (American Record Guide)
'Le programme est d'une parfaite cohérence et magistralement interpreté' (Répertoire, France)
'Il y a longtemps que le disque ne nous avait révélé un talent méconnu aussi brillant et attachant' (Diapason, France)
'...This collection of cantatas and theater music is simply stunning—rarely do we hear a composer of that age who even comes close to what Mozart was doing, but if any can make that claim, Linley certainly can… the freshness and invention—will strike you over and over…These period performances are sterling in concept and execution, and Hyperion’s midprice Helios label makes them almost irresistible' (Audiophile, USA)
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